Out of the Mist

The seed for this show was planted several years ago when the then newly-formed highland dance company ‘Celtic Spin’ created a small scale 20 minute performance (also dubbed Out of the Mist) which was staged as part of a double bill. That cautious little experiment had to have been well received…to justify embarking on the monumental exercise of wrangling Out of the Mist 2.0 into being.

Now assuming the form of what can only be described as an ‘extravaganza’; the show consists of three variety-packed 30-minute segments. Not only is it a delightful showcase of high-precision Celtic Dancing, but also includes captivating vocal performances, plus solo instrumentalists and a bracket from an authentic pipe band. 

The classy Celtic Spin core troupe of seven performed as a group, while individuals within the group featured in the other combined ensemble pieces. Pleased to say the KRSD junior ensemble were every bit as disciplined as the more experienced performers. 

Every performance was specially curated by Artistic Director Elie Roe Daniel - who also did an outstanding job of seamlessly piecing it all together. There were four choreographers (Elie and co-producer Kim, joined by Rikki Mace and Evie Dawkins) - often combining several ensembles on stage at once. 

With each distinct group wearing a stunning array of beautiful costumes, the full effect was a feast for the eyes. 

The singer's song choices ranged from dyed-in-the-wool traditional Celtic songs, mixed in with an eclectic array of songs that might be better described as ‘Celtic adjacent’. For example a lovely rendition of Sting’s ‘Fields of Gold’, was included - which seemed incongruous to me at first, but a google search revealed it had been covered by popular Irish vocal ensemble, ‘Celtic Woman’.  

Of the more traditional songs, “The Parting Glass”, was a definite highlight, featuring nice harmonies and live accompaniment. During most vocal performances, featured dancers would also appear, adding to the ethereal vibe. This was further enhanced by a video backdrop playing throughout, featuring ever changing, misty landscapes, overlaid with the Celtic Trinity Knot symbol - which is the logo adopted by Celtic Spin. Late in the program a heart-warming black and white 'behind the scenes' video was also played. 

Most of the high-spirited reels were accompanied by powerful backing tracks. With several tunes by the Pipe band, there really was something for everyone - from folks with a hankering to connect with their distant Celtic heritage, to the Celt-Curious…as well as your garden variety contemporary music lover. 

In a program of many highlights, from literally dozens of performers, it’s hard to single anyone person or performance out, but the choreography and costuming for the song “I See Fire” was jaw-dropping. Everyone could literally see fire. Lovely vocals also. 

Naturally, some ‘one night only’ nerves were evident, but the production went very smoothly. The audience may have been a little shy about clapping along (one could sense they really wanted to) but the ovation after each segment was rapturous.  

As ‘do-overs’ go, this one smashed it out of the park. Very exciting to see young, passionate performers being given such a wonderful opportunity to grow in confidence and perform alongside championship dancers.  I for one am very keen to see what their future brings.  Be still my (Irish Convict descended) heart. 

Sláinte!

Rose Cooper