The Pajama Game

Any show that sends you out smiling is not to be sniffed at. The Pajama Game, as staged by Northern Light, delivers an evening of generally pleasant entertainment, with a more-than-solid cast working hard to overcome unfortunate opening night issues with the sound system that rendered the performance less satisfying than it might have been.

Those who generally prefer their musical theatre more forward-thinking than old-fashioned may find themselves – initially, at least - resisting The Pajama Game. Its theme of workers’ rights is still as important as it was when the show premiered over half-a-century ago, but this theme is presented in a thoroughly easy-going manner, with too little bite and not enough emotional engagement. The relatively forgettable score is another significant drawback, but the most noticeable problem presented itself in the form of intermittent microphone feedback, cut-outs, and crackle.

Thankfully, the central romance has warmth, verve, and spark, thanks to the magnetism and chemistry between leads Buddy Dawson and Lauren Renee – both of whom are also marvellous vocalists who make the songs a special privilege to hear. Debuting MD Rebecca Mason (supported by Musical Advisor, Tammy Papps) conducts a 15-piece band that can tackle a tango just as well as a ballad. Set design, though a bit minimalist and bare at times, has its cute and clever moments – particularly the work stations on wheels, introduced in scene one – while the colour and style of the costuming ensures that The Pajama Game is good to look at.

Northern Light can be relied upon to devote a commendable level of attention to the dance components of their musical theatre, and such is the case here; the highlights of this show are the group numbers Once a Year Day and Hernando’s Hideaway, along with a special mention for Steam Heat. Well done to choreographer Linda Lawson and the talented team of dancers for these striking sequences.

In the end, The Pajama Game manages to be a gently uplifting experience, overcoming its technical difficulties and charming its audience in the process.

Anthony Vawser