The Pirate Queen
The Australian premiere of The Pirate Queen musical has docked in Melbourne with grandeur, heart, and a fiercely talented creative team. This is a coup for MLOC as part of their 80th year celebrations, performing this largely unknown but equally exciting musical from the composers that gave us Les Misérables and Miss Saigon, and the producers of the phenomenon that is Riverdance.
Against the odds and undeterred by the challenge of introducing a new musical to Australian audiences, MLOC have achieved a performance of remarkable excellence. Artistic Director Chris Ryan has drawn on over 30 years’ experience in community theatre to present this dynamic production about Grace O’Malley, the famed 16th-century Irish pirate and chieftain, in a production highlighting courage, love, and identity. Ryan's masterful visuals fluidly transition between the high-stakes drama at sea and the tense world of political manoeuvring, whilst also finding moments of respite in the intimacy of romance and the tranquillity of quiet contemplation.
Partnered with lighting by Daniel Bowen and Chris Ryan, sound by Daniel Bowen and James Dobson, and sets by Chris Ryan, we are transported to such diverse settings as – the turbulent ocean, aboard the ‘Pirate Queen’ sailing ship, the grandeur of the royal court of Queen Elizabeth I, the revelry of a tavern, and the sanctity of a church. These elements work in concert to create a captivating and detailed immersive experience.
Debbie Jenkins, the costume supervisor, has meticulously crafted a diverse collection of costumes, encompassing Irish clan wear, Elizabethan court fashion, soldiers' battle uniforms and helmets, and typical Irish wear for dance and ceremonial purposes. Queen Elizabeth's opulent clothes and wigs are a visual spectacle, nearly overshadowing every scene she graces.
Choreography by award winner Bridie Clark infuses the show with vibrant energy and cultural authenticity. The Irish inspired dance numbers are a vibrant highlight, driving the pace and showcasing both ensemble unity and individual talent. Highlights were the company’s performance of ‘The Pirate Queen’, ‘Boys’ll Be Boys’ and ‘The Wedding’.
Schönberg's score is brought to life by a 14-piece orchestra under the capable baton of Matthew Pines. The result is a testament to each musician’s skill and resilience, given the continuous and technically demanding nature of the Celtic inspired music, which requires exceptional stamina. Well done to all!
Alyssa Sorgiovanni's vocal direction has honed the lead cast's vocal skills, resulting in performances that are both technically proficient and deeply moving, complemented by the powerful contributions of the ensemble.
First time leads Ella Fryer (as Grace O’Malley) and Nickolas Brown (as Tiernan) were so at ease in their roles that it felt like they were originating them. Fryer and Brown don't just play Grace and Tiernan - they become them. Imbued with a freshness and authenticity rarely seen their talent is undeniable and their breathtaking performances are worthy of appearing on Broadway! Fryer’s free-spirited rendition of ‘Woman’ brings out Grace’s defiant character and a declaration of her self-worth, while ‘Here On This Night’, performed with Brown, expresses the emotions of love, longing and the bittersweet nature of a secret relationship. The chemistry between the two actors is natural, palpable and unaffected. Brown's rendition of 'I'll Be There' was a masterclass in vocal control and raw emotional delivery, leaving the audience deeply moved. It doesn’t get much better than this!
Niamh McPartland delivers a captivating portrayal of Queen Elizabeth I, effortlessly embodying the monarch's persona. Her vocal performance is outstanding, marked by both exceptional range and precision. The duet 'She Who Has All' with Fryer was a poignant moment in Act Two, beautifully showcasing their combined vocal talents.
In their roles as the other key male figures in Grace's life, Jarod Rhine-Davis (as Dubhdara, Grace’s father), Tyler Delacretaz (as Donal O’Flaherty), Keegan Dart (as Lord Bingham) and Nicholas Bywater (as Chieftain O’Flaherty) are uniformly excellent, their performances distinguished by both vocal richness and credible characterizations. Margot Sephton (as Evleen, the matriarch of the O’Malley clan) is a touching addition to the show with her emotive Celtic influenced vocals during ‘The Wedding’ and ‘Sail to the Stars’. Other leads are Bridie Clark (as Majella, Grace’s midwife) and Jake Christie as Eoin (Grace’s young son).
The Pirate Queen musical is an unforgettable evening of music, drama, and spectacle – a must-see for fans of both classic musicals and high-energy performances.
Bravo, MLOC, on your 80th anniversary and for bringing the Australian premiere of The Pirate Queen to Melbourne – a testament to your theatrical excellence.
It is a glorious thing to see ‘The Pirate Queen’. Hurrah!
Jonathan Cox
Photographer: Chris Ryan
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