Reviews

Side by Side by Sondheim

Music & Lyrics by Stephen Sondheim. Genesian Theatre, Rozelle. Directed by Declan Moore. 26 September – 1 November, 2025

Would it be true to say Stephen Sondheim is one of the most talented, revered and memorable lyricists of our time?  I believe so.  With works such as A Funny Thing Happened on the Way to the Forum, West Side Story, Assassins, Sweeney Todd, Sunday in the Park with George, Into the Woods and many more to his credit, it is hard to think of his extraordinary talent as anything less than legendary.

Letters to Lindy

By Alana Valentine. Melville Theatre Company. Directed by Melissa Merchant. The Main Hall, Melville Civic Centre, Booragoon, WA. Sep 12 – 24, 2025

Letters to Lindy is a verbatim theatre piece based on letters to Lindy Chamberlain-Creighton, convicted then cleared of the murder of her daughter Azaria, who was taken by a dingo near Uluru, then known as Ayers Rock in 1980.

Lindy had kept all her correspondence, more than 20,000 letters, which are now housed in archive boxes in the National Library

Chicago the Musical

Music by John Kander. Lyrics by Fred Ebb. Book by Fred Ebb and Bob Fosse. Upstage Theatre Company. September 26 – October 5, 2025

Upstage launched in 2024 with Into the Woods, with a mission to tell stories that matter and present productions with meaning and relevance to the community. They are seeking to create theatre that reflects the world around us all. By using diverse casting and bold creative choices to challenge traditional norms and bring fresh perspectives to the stage.

For You to Know and Me to Find Out

By Liv Tennet. Sydney Fringe Festival. Sydney Dance Company. Neilson Studio. 24 – 27 September, 2025

New Zealand choreographer and performer Liv Tennet has created a touching piece of theatre that uses a combination of dance, sound, narrative and puppetry to describe the challenges of being a new parent, including the effects on relationships, friendships and careers: “Who will work, who will make a living from their art?”

Emma

By Jane Austen, adapted by Michael Bloom. Frankston Theatre Group. September 25 – Oct 5, 2025

Jane Austen’s Emma is arguably the second most popular of Austen’s novels, behind the ubiquitous Pride and Prejudice. It has been presented on stage, television, and film many times, most recently in 2020 with Anya Taylor-Joy in the titular role. It has also inspired fictional companion novels and the movie Clueless, which director Candice Mitrousis says was her favourite movie as a teenager. She watched it countless times, and upon learning that it was based on a Jane Austen novel, it sparked a lifelong interest.

White Noise

Touch Compass. Diane Cilento Studio, Queensland Theatre. Undercover Artist Festival, Brisbane Festival. 25–26 September 2025

Touch Compass is a leading professional disability-led arts group from Aotearoa/New Zealand. They aim to produce bold performances that amplify the voices of disabled artists. Their new piece, White Noise, made its world premiere for Undercover Artist Festival at Brisbane Festival. White Noise highlights the perspective and perceptions of performance artist, Alisha McLennan Marler, who uses her wheelchair and aerial work, with music, projections, poetry and sound effects to create an abstract modernist work that encompasses dance, movement, voice, and visual art.

The Bogong’s Song: A Call to Country

Bangarra Dance Theatre. Cremorne Theatre. Brisbane Festival. 25 September to 4 October 2025

This world premiere performance is from the same team who created the award-winning Waru: Journey of the Small Turtle. The Bogong’s Song: A Call to Country by Yolande Brown and Chenoa Deemal is Bangarra Dance Theatre’s call to connect with nature, with family and with culture. For non-indigenous families, the show is a lovely way to introduce children to First Nations dreamtime stories, totems and dance through the simple story of the endangered Bogong moth.

Whitefella Yella Tree

By Dylan Van Den Berg. Directed by Declan Greene and Amy Sole. Sydney Theatre Company. Wharf 1 Theatre. September 19 - October 18 , 2025

In the 1800s a relationship between two men would have been a dangerous affair in almost all cultures.

Indigenous teenagers  Ty (Joseph Althouse) and Neddy (Danny Howard) are able to fall in love in secret, as they meet in a secluded bush to relay information about the new white settlers to their different mobs.

The real danger to them is from the invaders. At first they can decipher a few words and make fun of their curious habits.

Cats

y Andrew Lloyd Weber (Music), and T. S. Eliot, Trevor Nunn, Richard Stilgoe (Lyrics) John Frost, Ian David (Crossroads Live), Cameron Macintosh, Really Useful Theatre Company. Her Majesty’s Theatre, Adelaide. 25 September to 12 October, 2025

Forty years after Andrew Lloyd Webber set T. S. Eliot’s nursery rhymes to music, Cats has returned. Beyond nostalgia and box office, the 2025 revival is curious: a faithful reconstruction of the 1980s original.

The Adventures of Peacock, Chicken and the Pony they Rode Upon

Second Echo Ensemble (Tasmania) in collaboration with Midnight Feast (NSW). Theatre Royal, Studio, Nipaluna/Hobart. 26–30 September 2025

A chicken (who can’t lay eggs, perhaps because it’s actually a rooster) sets off on a quest for the best soup. A horse composed of two entirely different characters, Stan (the head of the horse) and Lee (the tail of the horse) tumbles into an adventure through the universe, constantly juggling two sets of conflicting needs. A ‘peacock’ (or at least a menopausal bird with a glorious self-made tail) is on an expedition of pure fabulousness through the world, nurturing a sense of identity along the way.

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