At Sea Staring Up

This Australian play, “sort of” set in a laundromat, tells five seemingly disparate stories, some fantastical, others apparently realistic, which gradually merge into a single tale. Cleverly performed by Hayman Theatre Company, this was a top-quality production that is one of Hayman’s best.

The laundromat set, which has lots of hidden touches, was cleverly designed by Setare Mogharebin to allow for multiple playing areas and included pop out features that allowed for a boat, a garden, a bedroom and a car to smoothly emerge from the room. Highly emotive lighting, including some very intelligent touches, was provided from a design by Lauren Westphal-Groves, while Jocelyn Dale created a highly supportive sound design.

The ensemble cast each played a key character, with their own plot line, while doubling in support and ensemble roles. They worked very well as a team, as well as creating beautifully rounded characters. Tasha Fraser was excellent as the mysterious Sylvia Wist, an orphan girl who suddenly finds herself whisked to various parts of the globe and ultimately unites the stories - an excellent anchoring performance. Fourth Year Theatre Arts Student Tom Ford brought depth to grieving young widower Noah, Aydee Bull was enigmatic and compelling as Elise, a young mother caught between loving two men. 

New to Curtin and the Hayman Theatre, Harry Spackman was gorgeously awkward as Caleb Prosser, while Augusta Manowski stole scenes in a very strong portrayal of the unusual fisherwoman Emma the Greek, whose story captivated the audience.

Great to see a new Australian work performed well, and with a great feel throughout. A very enjoyable production.

Kimberley Shaw