The Seven Stages of Grieving

The first performance of The Seven Stages of Grieving, thirty years ago, was seen as a landmark production for Aboriginal Theatre. This acclaimed play has been added to Drama and English curriculums, as its complex writing and multiple themes allow for excellent discussion and unpacking, This brand new production from Yirra Yaakin marks the first time this play has been performed by an Aboriginal Theatre company, and is a beautiful, heartfelt production.

This one woman show begins with a woman grieving for her grandmother, and in a series of vignettes takes us through grieving for culture, the stolen generation, police brutality, racism, Aboriginal protest and more. Equal parts tragic and humorous, this is an emotional journey for the audience and actor.

Set in what might be a museum, Charlotte Meagher’s set design emphasises the boxing of Aboriginal Culture, and the perception that it is historic rather than lived culture, there is also a large pile of sand or earth, used to effect throughout the show. Audio Visuals throughout the show, designed by Emma Fishwick help to convey memory and experience, while a textured sound design, with voice and music by Rebecca Riggs Bennett, adds to this experience. A bold lighting design from Kristie Smith is very emotionally supportive.

Ultimately though this is a solo show, and the performance given by Shahnee Hunter (who shares the role with Shontane Farmer) was simply outstanding. Personable, direct and warm, she created characters that were instantly recognisable, had depth and reality and were sympathetic. She worked the crowd with expertise and the audience were hanging on every word. An amazing and very impressive performer.

It is sad that this is such a short season. The Seven Stages of Grieving was an absolute joy to watch, and carried a great deal of weight.

Kimberley Shaw