Shush

The currently homeless Irish Theatre Players slipped into Old Mill Theatre for a beautifully realised production that left its audience smiling.

Shush might almost be the Irish Steel Magnolias, set in a single room, with a cast of women of varying ages, long term familiarity and the same sense of laughter through tears. Irish accents were superbly employed and stood up to the scrutiny of the Irish in the audience.

Directed with care by Denice Byrne, the show featured an impressive cast line up, and a great sense of ensemble and camaraderie. Susan Lynch endeared herself to the audience, in the central role of Breda, whose birthday brings the others to her home. A strong performance, with a particularly moving monologue, that was both heart wrenching and dramatically impressive.

Andrea O’Donnell was lovely as neighbour Ursula, whose glamour and polish hide worry and tragedy. Marian Byrne was a joy as outspoken Irene, providing much of the comedy. Lucy Eyre was fabulous as bossy frenemy Marie, commanding the space. 

Making a stage debut, among a slew of excellent and experienced actresses, Nicole Andrewartha held her own, and was impressive as Marie’s daughter Claire. I look forward to her future performances.

Despite a very short bump in period, Emer Dehide, George Boyd and team constructed a sturdy and expertly finished box set, from a design by George and director Denise, well supported by a sympathetic lighting and sound design by Fiona Reid.

Shush was a strong production that was a credit to a club that has had a very challenging year.

Kimberley Shaw