Reviews

Bright Star

By Steve Martin and Edie Brickell. Sport for Jove Theatre Company. Hayes Theatre Company. Sep 5 – Oct 5, 2025

The cosy Hayes Theatre in Kings Cross stages an impressive repertoire of musicals, its intimacy perfect for stripping away the tropes and banalities of big Broadway musicals.

Class of 2025: Musical Theatre Showcase

Students of the Queensland Academy of Excellence in Musical Theatre (QAEMT). Tony Gould Gallery, Queensland Performing Arts Centre (QPAC). 11–20 September 2025

There are 17 multi-talented performers graduating from the QAEMT this year and you can see their showcase performance at the intimate Tony Gould Gallery at QPAC – a great chance to see tomorrow’s stars up close and personal. It’s difficult showing off their triple-threat dance moves in such a small space, but it is perfect for imparting their strengths in acting and singing. I thoroughly enjoyed all the performances, so I am not going to single out any one performer.

Batshit

Written by Leah Shelton, Ursula Martinez, and Christine Shelton. Directed by Leah Shelton and Ursula Martinez. Presented by Brisbane Festival, Leah Shelton & Quiet RIOT in association with Brisbane Powerhouse. 10 – 13 September

Leah Shelton’s Batshit, presented at Brisbane Powerhouse as part of Brisbane Festival, is a fearless, darkly comic excavation of how women’s emotions, desires, and dissent have been pathologized across history. Created in collaboration with co-writers Ursula Martinez and Christine Shelton, the work sits at the intersection of personal memoir, cultural critique, and theatrical innovation, resulting in a performance that is as entertaining as it is intellectually and politically charged.

Unveiling Shadows

Choreographer and Co-Director Joshua Taliani. Co-Director and Collaborator Wanida Serce. Presented by Brisbane Festival and Metro Arts. 10 – 13 September, 2025

Unveiling Shadows sets your expectations from the moment you enter the theatre. What you’re about to see will be imaginative, artistic, and risky. The stage is littered with white chairs, some cut to appear if they’re mid-motion and emerging from beneath the floor, others stacked precariously in sculptural piles. A few black chairs and chair parts hover from the ceiling, like shadowed sentinels. The rear is veiled in colourless plastic sheeting, draped thinly over parts of the set so that it becomes both surface and scrim, functional and ghostly.

GATSBY at The Green Light

Presented by Brisbane Festival in association with Blackbird Brisbane and Twelfth Night Theatre. 2-28 September, 2025

Brisbane’s iconic Twelfth Night Theatre, with its storied history and rare independence as a privately owned venue, has undergone a dazzling transformation for this naughty-but-nice cabaret of fun and frivolity. Inspired by the hedonistic 1920s and the world of F. Scott Fitzgerald’s Gatsby, the theatre is re-imagined as the millionaire’s own nightclub, a space where parties roar on in defiance of despair.

The Chronicles

Stephanie Lake Company. Talbot Theatre, Thomas Dixon Centre. Brisbane Festival. 10–13 September 2025

Stephanie Lake Company was founded in 2014 by award-winning Stephanie Lake, a Canadian-born Tasmanian who is now based in Naarm/Melbourne. In the last 10 years, the group has taken their striking physical style to the world’s stages. Stephanie was resident choreographer of the Australian Ballet in 2024 and artist in residence for Semperoper Ballet in Dresden in 2025. Her company of dancers are athletic and reflect a refreshing mix of cultures and styles, each individual mesmerising as they energetically command the stage.

William Yang: Milestone

William Yang, Elena Kats-Chernin and Camerata. Concert Hall, Queensland Performing Arts Centre (QPAC). Brisbane Festival. 9 September 2025

Photographer William Yang has been an observer, social chronicler and storyteller for most of his life. To celebrate his 80th year of examining his place on our planet, William is taking his photographs on the road. Milestone is more than a slide show: it is a celebration of William’s philosophy that “life is to be enjoyed!” But, as expected for someone who has lived such a full life, there are many sadnesses as well as life-affirming moments along the way.

Garry Star: Classic Penguins

The Grand Electric, Surry Hills, Sydney. 3 September - 12 October, 2025

This was the silliest, rudest and funniest show I have ever seen. Dangerously my wife and I sat in the front row for the spectacle, and it was like being in the front carriage of a rollercoaster with nowhere else to look.

The cheeky and well buffed star of the show Damien Warren-Smith was sitting on a chair smoking a pipe facing away from the audience when you walked in.

He swivelled around to reveal his full-frontal nudity, save for flippers and an Elizabethan collar.

Are You There?

By Irene Korsten. Wild Boar Theatre Co. & Theatre Works. Explosives Factory. 3 – 13 September 2025

It’s the Friday before a long weekend at aged-care facility Autumn Dale Village.  Admin – and a lot more – Pia (Melanie Madrigali) is dealing with phone calls, emails, rosters, a bullying superior, her ex-husband, and a fractious 13-year-old daughter.  She does all that while staying available and sympathetic to residents dementia sufferer Lauren (Rosemary Johns) and ever-anxious, garrulous Colleen (Jane Clifton).  If the play sounds potentially close to sit-com, Irene Korsten’s day-in-the-life play does veer close to that, but genuine, angry conflict,

Troy

By Tom Wright. Presented by Malthouse Theatre. Directed by Ian Michael. Merlyn Theatre, Malthouse, 13 Sturt St, Southbank, Melbourne. 4-25 September 2025

“Troy didn’t fall. It was taken.” This is a point which is particularly reiterated in this production which takes inspiration from the legend of Troy. While the play retains its historical context, it is transformed into a contemporary reflection on notions of ownership, greed, and the desperate desire to overpower one’s enemies both physically and psychologically. 

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