Urinetown

It is a great couple of weeks for theatre in WA, and amongst the best of the best is Western Sky’s Urinetown, perhaps the funniest musical you will ever see. Expertly directed by Andrew Baker, lovingly and superbly performed and accompanied by a top-notch ensemble, it is perhaps not surprising that this show is all but sold out.

For those who know the Liberty Theatre, a run-down former cinema, that has certainly seen better days, it might seem a strange choice of venue, but it is perfect for this post-apocalyptic musical, set during a lengthy drought, in which people are being charged ever increasing amounts to use toilets. In keeping with the show, you can choose to sit with the VIPs or with the rebels, but all seats are comfortable, and a hired rake ensures everyone has a good view.

This is a strong cast, all of whom sing beautifully, under the direction of Musical Director Taui Pinker, who also leads the live band. Very much an ensemble cast, the minor characters have more stage time than some of the leads, and the energy exuded is tangible and exciting. While all are excellent, I particularly enjoyed Maree Cole’s Little Becky Two Shoes’ enjoyment of the chance to do wrong, and Erin Craddock’s earnest note taking as Robby the Starfish.

The momentum for the show comes from Nick Maclaine’s Officer Lockstock, who both narrates, and attempts to keep the peace. Working for the bad guys, we shouldn’t like him, but we do, thanks to wry delivery and a beautifully measured performance. Maclaine works particularly well with urchin Little Sally, nicely embodied by Madeleine Shaw whose spot-on timing earned well-deserved mid-show applause.

Hero of the tale, the gorgeously named Bobby Strong, is well characterised by Marshall Brown, a lovable “everyman”. He falls in love with the beautiful Hope Cladwell (a fabulous Izzi Green), daughter of evil entrepreneur Caldwell B. Cladwell (Chris McCafferty relishing playing the villain).

Bobby’s salt-of-the-earth parents are superbly played by Thomas Papathanassiou and Lindsay McNab, while Sharon Kiely rounds out the lead cast with a stellar performance as Penelope Pennywise.

A great looking show, the choreography by Tess Howieson is dynamic, creative and tightly executed, while Rhiannon Walker’s set and costume design is thoughtful and clever. Bold lighting choices highlight the ever-shifting mood.

 If you think you have seen Urinetown before, think again. This show is both darker and funnier than any incarnation I have seen in the past, with a verve and attack rarely seen in shows. An absolute joy to watch.

Kimberley Shaw

Photographer: Mark Flower