Volpone (or the Fox)

Volpone (or the Fox)
By Ben Johnson, in a new adaptation by Emily Steel. State Theatre Company of SA. August 21st – September 12th, 2015

Volpone means ‘sly fox’ in Italian and it is an aptly named satire full of greed and lust. Written in 1605 by Ben Johnson, it remains his most performed play. Reworking the script, playwright Emily Steel has brought a modern flavour to her adaptation. The lengths to which people are capable of going to attain wealth is not an uncommon tale and this story plays well in the 21st century of indulgence.

Set in Venice, the surroundings are given an opulent feel with stone arches and an abundance of wealth displayed in the form of paintings, sculpture and silverware on the back wall of Volpone’s home. The ambience is an embodiment of his greed; a shrine of riches. Geoff Cobham’s lighting design changes with the click of a remote from gloom to euphoria, mirroring the mood of Volpone and his loyal servants.

A mobile deathbed is home to Volpone’s manipulation; with the help of his shady cohort Mosca, they plot to con the locals out of expensive gifts.

Seasoned actor Paul Blackwell commands attention in most roles he plays and while his performance as Volpone is admirable, the cast of supporting roles adds the comic element. James Smith as Mosca is beguiling, his physical presence and energy never faltering as he skulks from victim to master. This duo was reminiscent of Doctor Frankenstein and Igor and provided just as many laughs.

Corbaccio (Edwin Hodgeman) and Corvino (Patrick Graham) are equally hilarious and transparent as they vie for a place in Volpone’s will.  Geoff Revell wears many caps for this production, each funnier than the next. Caroline Mignone, Elizabeth Hay, Matt Crook and Carmel Johnson are all strong in their roles.

Director Nescha Jelk's attention to detail is evident with this deeply 'superficial' story and she has produced a vibrant production. Hilarity came from individual characterisations and were welcomed in this wordy play.

Taking the risk of upsetting traditionalists, this adaptation works right until the bitter end.

Kerry Cooper

Images: Carmel Johnson and Paul Blackwell, & Paul Blackwell James Smith in Volpone. Photos by Shane Reid.

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