The Wind in the Willows

Pantomimes are rarely popular in Australia during the regular peak English season.  

While halls and theatres are packed in December and January in the old country, this tradition has lost its popularity during the warm summers of the southern hemisphere.

So putting on a show outdoors is the perfect solution, and no more sparkling a venue could be imagined than Sydney’s Royal Botanic Gardens.

The production of The Wind in the Willows has been running for 25 years and it is no surprise why.

You feel in the mood for a good time – having enjoyed a picnic in beautiful surrounds - even before the charming white rabbit, played in a rich Scottish accent by Owen Little, begins the adventure.

The action begins around the big pond used as stunning stage for the drama on water.

It must be said that the story is only loosely based on Kenneth Grahame’s book. 

The show is a platform for the cast to sing, show off, play guitar and flirt with members of the audience.

Just when small behinds are getting restless, the whole cast and audience move to Toad Hall - 200 metres away .

The very green Toad, played with aplomb by Tony Cogin, delights with his passion for different modes of transport before getting into strife at the hands of a bright orange Weasel .

At Toad Hall squawking cockatoos add to the atmosphere. Restless children get another chance to run around and there is a good old-fashioned water fight.

It was a most delightful evening of entertainment, featuring a generous sized cast and effective props that pleased even rather reluctant theatre-goers on my picnic blanket.

David Spicer

Lower image: Jordan Spicer with Owen Little, Chief Rabbit.

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