Into the Woods Jnr
Some say never work with children – though those voices clearly haven’t had the pleasure of seeing the incredible emerging talent Miranda Musical Theatre Company has to showcase. Into the Woods Jr., with book by James Lapine and music and lyrics by Stephen Sondheim, which marks Miranda Musical Theatre’s first full foray into a junior musical. The production has been thoughtfully crafted as an opportunity not only for its young performers, but also for members of the creative team who have enthusiastically stepped forward to lead the production.

Into the Woods Jr. is a shortened, child-friendly version of the much-loved classic. Familiar fairy-tale characters venture deep into the woods in pursuit of their deepest wishes, with their stories intertwining along the way.
Jack, played by Stephanie McNamara, is tasked with selling his best friend, the cow Milky White. McNamara is a commanding performer who brings both energy and innocence to the role, while showing a clear understanding of how Jack grows following his adventure up the beanstalk.
A delightful highlight was the unexpected performance of Milky White, brought to life by Olivia Braz. Through expressive movement and wonderfully animated facial expressions, Braz captured both the personality of the beloved cow and the bond she shares with Jack. Her careful control of the puppet ensured the focus remained on the storytelling, while still allowing Milky White to charm the audience.

Little Red Riding Hood, played by India Ryan, encounters the Wolf, played by Cameron Clark, while on her way to visit her sick grandmother, portrayed by Olivia Braz. Ryan brings a charming childlike quality to her performance, capturing Little Red’s innocence and curiosity. Clark proves to be a standout, leaning into the Wolf’s mischievous menace with a delightfully unsettling grin, strong physicality, and some impressive dance moves.

Completing the fairy-tale ensemble are Cinderella, played by Stacey Swinkels, who dreams of escaping her wicked stepmother and stepsisters, and Rapunzel, played by Harper Grace, longing to break free from her tower. Swinkels delivers a sweet vocal performance and captures the sense of yearning that lies at the heart of Cinderella’s story, while Grace brings a gentle presence to Rapunzel’s brief but memorable moments.
Overseeing the unfolding chaos is the Witch, played by Olivia Mustapic, whose quest for four magical items sends the characters deep into the woods. From this point, the production thrives on the interplay between the fairy-tale figures as their stories cross and collide.
Providing much of the show’s comedic relief are the two Princes, played by Sebastian Buntic and Joel Morris. The pair bring humour and lively energy to their scenes, leaning into the exaggerated bravado of their characters while playfully paying homage to classic comedic styles reminiscent of Monty Python. Supported by an ensemble that brings warmth and care to each character’s story, this is a tight-knit cast that clearly works together and supports one another to shine.
Interweaving the journeys of these fairy-tale characters are two narrators who help bridge the world of imagination with the moments when play gives way to reality. Joshua Prazan and Ellyssa Taouk guide the audience through the unfolding story, helping to frame the characters’ adventures and the lessons learned as each must face the consequences of their wishes.

The creative team, led by Director Sophie Szecsodi, Musical Director Lauren Dennis and Choreographer Jasmine Argyropoulos, have done a stellar job guiding and nurturing these young performers to create a production that was warmly received by the enthusiastic audience on opening night. Their leadership is evident in the confidence and commitment shown across the cast.
The set design looked sensational and was used skilfully throughout to create the fairy-tale world and its whimsical surroundings. Painted with care and layered thoughtfully, the sets helped establish the sense of enchantment that sits at the heart of the story. Costuming further supported the creation of this magical world, with each character recognisably aligned with their familiar fairy-tale archetype while still allowing room for individual interpretation.

For Miranda Musical Theatre Company’s first junior musical, the result is an evening that captures both the magic and the mischief of the woods. It is a production filled with heart, humour and promise, and a wonderful showcase of the next generation of performers. With its spirited cast and supportive creative team, Into the Woods Jr. delivers a night of theatre that is both funny and sweet — and leaves audiences excited to see what this talented young ensemble will do next.
Sarah Webster
Images: Grant Leslie Photography
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