Sherlock Holmes and the Death on Thor Bridge

By Arthur Conan Doyle, adapted by Sandra Bass. Genesian Theatre Company. February 29 - April 4, 2020.

Sherlock Holmes mysteries have now overtaken Agatha Christie whodunnits in popularity for the Genesian Theatre, which has thrived as Sydney’s home of good old fashioned drama. So keen were the Genesians, to ride the sleuth’s wave of popularity that it has programmed a world premiere adaptation by member Sandra Bass.

Song Contest. The Almost Eurovision Experience

By Glynn Nicholas and Bev Killick. Primadonna Productions. Directed by Carole Dhu. The Fish Trap Theatre, Mandurah Performing Arts Centre, WA. Mar 6-8, 2020

Primadonna Productions’ Song Contest. The Almost Eurovision Experience starts in the foyer, with lovely ‘European’ people welcoming the audience to Minsk in Belarus, presenting them with “clackers” (“Is gift from Belarus government to you”, assigning you to a country and lending you a flag to wave. The atmosphere is joyous - which continues into the production.

Dead Gorgeous: A True Crime Clown Show

Madness of Two. Adelaide Fringe. RUMPUS. 7th to 15th March, 2020

If you think that a clown show about true crime is a weird premise, you’re right, but somehow new Adelaide theatre collective, Madness of Two makes it work.  Founded by two of Adelaide’s award-winning theatre-makers, Ellen Graham and Jamie Hornsby, Madness of Two has set out to tackle important issues in non-traditional ways.

Josh Mensch: Abomination

Cackling Jackal Productions. Adelaide Fringe. Holden Street Theatres. February 28 – March 15, 2020

Josh Mensch is a local artist who as a 17-year-old boy had a dream. As a self-professed drama kid, he always wanted to put on a Fringe show. It seems that stacking lettuces at a well-known supermarket was offering no stimulation, so he sat down to pen his one-man rhetoric.

Judy’s is a small venue within Holden Street Theatres. It only seats 20 people and on the night, I attended it was almost full. It is a small space made for an intimate show and this worked well with Mensch’s delivery.

The Merry Wives of Windsor

By William Shakespeare. GRADS. Directed by Thomas Dimmick. The New Fortune Theatre, University of Western Australia, Nedlands, WA. Mar 5-14, 2020

Perth's Shakespeare fans have been very spoilt in the last couple of years, with numerous productions, both community and professional - with this being one of two outdoor Shakespeare productions this week. The Merry Wives of Windsor, though, is a particular treat, as I don’t remember this playing within the last twenty years, and GRADS - Graduate Dramatic Society’s production is a fun, frolicsome, well presented production.

Singin’ In The Rain

Music and lyrics by Nacio Herb Brown and Arthur Freed. Screenplay: Betty Comden & Adolph Green. Rockdale Musical Society. Rockdale Town Hall. March 6 – 14, 2020

While you shouldn’t anticipate the cinematic bells and whistles of MGM’s 1952 classic film musical Singin’ In The Rain, Rockdale Musical Society’s production of the stage version has technical bells and whistles all its own, along with plentiful lashings of charm.

The stage show sticks incredibly close to the rom-com script of the movie, set against a background of Hollywood transitioning from silent flicks to talkies and early musicals.

How to Succeed in Business Without Really Trying

Music & Lyrics: Frank Loesser. Book: Abe Burrows, Jack Weinstock and Willie Gilbert. March Productions. The Goodwood Institute, Goodwood March 5 - 8 2020

I love youth theatre shows! They are full of honesty, integrity and energy. March Productions’ staging of How to Succeed in Business Without Really Trying is a perfect example!

A classic 60s musical, originally starring Robert Morse and recently Daniel Radcliffe of Harry Potter fame for the 50th Anniversary Broadway revival, it has remained a staple of amateur theatre companies.

Trois Grandes Fugues

Lyon Opera Ballet. Adelaide Festival. Festival Theatre, Adelaide Festival Centre. 6 – 7 March, 2020

This event is such a fascinating union of classical music, dance and the art of choreography. We hear three different renditions of the same piece of music by Beethoven and watch three diverse works by female choreographers first programmed together by the Lyon Opera Ballet at the instigation of Artistic Director Yorgos Loukos in 2016. 

Maguy Marin, Anne Teresa De Keersmaeker and Lucinda Childs are the creators, Childs’ work the only one commissioned whereas De Keersmaeker made her interpretation in 1992, and Marin hers in 2001. 

Cold Blood

Written by Thomas Gunzig. Adelaide Festival. Michele Anne De Mey, Jaco Van Dormael and Kiss & Cry Collective. Ridley Centre, Adelaide Showgrounds. 5-8 March, 2020.

In contrast to its perhaps-foreboding title, the team of Belgian artisans behind this spectacularly successful and satisfying show have created an experience that warms the heart, in sometimes strange but absolutely undeniable ways.

Dragon Ladies Don’t Weep

Chamber Made and Culture Link Singapore. Asia TOPA. Arts Centre Melbourne. February 28, 2020

International Avant-garde musician Margaret Leng Tan is playfully dubbed ‘Queen of the toy piano’. Her new show Dragon Ladies Don’t Weep, co-produced by Chamber Made and Culture Link Singapore, is a masterful experimental collage of music, spoken word, performance and visuals for the triennial Asia TOPA at the Arts Centre.

In a work featuring twelve short musical scores by Erik Griswold, director Tamara Saulwick and Tan have collaborated to devise a uniquely structured, visually stunning choreographic, sound-based performance.

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