Beyond Beauty: The Art and Grit of Screen Make-up

NIDA Graduate Kiarna Strauss is a make-up magician, bringing actors back to life with zombie prosthetics or transporting audiences to the 19th century with nuanced techniques. Since graduating (Screen and Media, Specialist Make-up Services) just three years ago, Kiarna has already worked on major productions including Netflix’s Heartbreak High, The Artful Dodger and most recently the proof-of-concept for the zombie film HALFTURN and Prime’s Narrow Road to the Deep North.

What first drew you to make-up artistry and why did you choose to pursue your Diploma?

My fascination with make-up artistry began with a love for film, television, and the transformative power of special effects make-up. I was captivated by the ability of make-up artists to transport characters to new worlds, evoke emotions, and tell stories through their craft. As I explored the world of special effects make-up, I realised that it combined my passions for art and storytelling.

The Diploma of Screen and Media (Specialist Make-up Services) allowed me to hone my skills in special effects make-up, prosthetics, and character design, while also learning about the industry’s best practices and standards. 

Your portfolio is diverse, working across film, TV and special effects. Do you have a preference when it comes to taking on new projects?

While I enjoy working across various mediums, including film and TV, my true passion lies in special effects and prosthetic make-up. I find it incredibly rewarding to create complex, realistic characters and creatures that transport audiences to new worlds. There’s something magical about seeing a design concept come to life through a combination of artistry, craftsmanship and technical skill. Whether it’s creating intricate wounds, aging characters, or bringing fantastical creatures to life, I’m excited to take on challenges that allow me to showcase my skills and creativity in this area.

The Artful Dodger and Heartbreak High have very different make-up outcomes. How do you adapt your creative approach for period pieces versus more modern looks?

When working on period pieces like The Artful Dodger, I try to immerse myself in the era’s aesthetic, researching historical references, fashion, and make-up trends. I focus on accuracy and authenticity, ensuring the make-up complements the production design and costumes. For example, I might use more subtle, nuanced techniques to create a naturalistic look that suits the period.

In contrast, modern productions like Heartbreak High allow for more creative freedom and experimentation. We could push boundaries with bold colours, edgy styles, and avant-garde designs. The approach is often more intuitive, responding to the show’s tone and style and a deep understanding of the story, characters, and director’s vision. 

Is there a misconception people have about working in make-up for film and TV that you wish more people understood?

Surprisingly a big misconception about make-up is that a lot of people think it is easy! Make-up for film and TV isn’t just about applying make-up. People often underestimate the complexity, time, and expertise required to create characters, especially in special effects make-up.

Many think it’s all about looking good on camera, but it’s about storytelling, transforming actors into characters, and enhancing the narrative. It requires a deep understanding of the script, director’s vision, and production design and ensure it translates on camera, not only in person, but also to fit with any filters or colour gradings being used on camera/in post-production.

Additionally, people often don’t realise the physical demands of wearing heavy prosthetics or make-up for extended periods. Actors’ comfort, skin care, and safety are crucial considerations.

What’s a dream project or collaboration you’d love to work on in the future?

A dream project for me would be to work on a Tim Burton film. His creations are truly incredible. The blend of fantasy, horror, and dark humour in his films is something I find fascinating, and I think it would be an incredible experience to bring his characters and stories to life through SFX make-up.

Other dream projects that would be high on my list include working on a horror movie like the Saw franchise, where the focus is on intense suspense and realistic effects. 

Ultimately, any project that allows me to push the boundaries of SFX make-up and contribute to telling a compelling story would be an exciting opportunity!

Learn more about NIDA’s Diploma of Screen and Media (Specialist Make-up Services) at nida.edu.au/study

Images (from top): Kiarna Strauss touching up Chika Ikogwe’s (Acting, 2018) make-up for Netflix’s Heartbreak High; Kiarna Strauss at NIDA creating a prosthetic alien look. Photos by Maja Baska; Kiarna Strauss creates different looks for her portfolio, and Jake Cockburn in the proof-of-concept film HALFTURN with make-up by Kiarna Strauss.