Reviews

As You Like It

By William Shakespeare. Melbourne Shakespeare Company. Rose Garden, St Kilda Botanical Gardens. 5 – 21 December 2025

Shakespeare is having a good run this year: Othello, with a tight focus on jealousy; a ritualised Titus Andronicus; a sprightly Much Ado at the MTC; and, with Christopher Marlowe, The Breath of Kings, a compendium of Henry VI – Parts 1, 2 & 3 and Richard III

If I Needed Someone

By Neil LaBute. Beartiger Productions X The Americas. Director Kai Paynter. The Living Room, Surry Hills, NSW. 3 – 7 Dec, 2025

The Living Room really is a living room. Hidden up a steep staircase on the first floor of an old terrace in Elizabeth Street, it is one of two rooms that have been converted to a workshop space – or in this case, an intimate theatre space. One room becomes a welcoming foyer, the other the bedroom set of the Australian première of Neil LaBute’s very tense, very provocative play If I Needed Someone.

Cinderella With A Twist

By Yvette Wall/ Directed by Jane Sherwood. Roxy Lane Theatre, Maylands, WA. Nov 28 - Dec 13, 2025

As Panto season continues, Roxy Lane Theatre’s Cinderella With A Twist would be my pick of the Community Theatre Pantos for this year. Directed with understanding by Jane Sherwood, this theoretically "non-traditional” pantomime has a good sense of pantomime traditions and works its audience well.

Making a Meal of It

By Bob Charteris. Directed by Bob Charteris and Fran Gordon. Stirling Theatre, Innaloo, WA. Nov 21 - Dec 6, 2025

Stirling Players closed 2025 with a locally written comedy, Making a Meal of It, by Bob Charteris. An upbeat little play about a couple opening a French Restaurant, it had some fun plot twists and was certainly enjoyed by the audience.

God

By Ferdinand von Schirach, translated by David Tushingham. Australian premiere. Produced by Lexi Sekuless Productions. Directed and designed by Lexi Sekuless. The Mill Theatre, Dairy Flat Road, Canberra. 3 – 20 December 2025

The woman on stage is quiet, dignified, looking healthy, and sounding articulate and rational. At 55, Rachel Gärtner is too young to be describing her life as being over, but since her husband’s death, she no longer wishes to live. She is here before the German Ethics Council, pleading her case that she be prescribed phenobarbital with which she will bring about her own death. This play allows the audience to play God, as it were, by casting a vote on whether the state should assist Ms Gärtner to, prematurely but peacefully, die.

Cursed, A Pantomime

By Taneal Thompson. Directed by Carly Ranger. Garrick Theatre, Guildford, WA. Nov 27 - Dec 13, 2025

Garrick Theatre is ending their 2025 season with a very popular, and sold out, bang. The locally written pantomime, Cursed, features a large cast, bright and colourful costumes and a live band. 

Cursed follows an original story that calls a little on the Princess and the Frog, but includes lots of children, a Dame come narrator, a fairy and some pirates. 

Stop Kiss

By Diana Son. University of Adelaide Theatre Guild & Theatre Guild Student Society. Directed by Josh Manoa. Little Theatre, University of Adelaide, Adelaide. 3 December – 6 December 2025

TGSS’s production of Diana Son’s Stop Kiss can be summed up as being nothing short of a triumph. Diana Son’s tender emotionally charged script finds a fresh and confident voice under the direction of Josh Manoa, whose directorial debut signals an exciting new talent in the Adelaide theatre scene. Manoa’s vision is compassionate, and deeply attuned to the play’s beating heart, guiding the production with emotional input that reaches beyond the stage.

The Chairs

By Eugéne Ionesco. Melville Theatre. Directed by Virginia Moore Price. Main Hall at Melville Civic Centre, Booragoon, WA. Nov 21 - Dec 6, 2025

Melville Theatre’s The Chairs is a strikingly designed production, performed with expertise by one of Perth’s most avant-garde directors.

Dial M For Murder

Adapted by Jeffrey Hatcher, from the original play by Frederick Knott. Ensemble Theatre, Sydney. Directed by Mark Kilmurry. 28 November 2025 – 11 January 2026

First broadcast in 1952 as a BBC television event, Dial M For Murder by Frederick Knott found fame two years later as the near-perfect Alfred Hitchcock thriller, with Grace Kelly and Ray Milland as the wealthy couple involved in deadly doings in their posh London flat. Much adapted, this latest version by American thriller writer Jeffrey Hatcher comes as the Xmas Show at the Ensemble Theatre, so much will be riding on it.

Christmas Actually

Created by Adam Brunes and Naomi Price. Featuring the music from the movie Love Actually. Presented by The Little Red Company. Brisbane Powerhouse. 2–14 December 2025

There are Christmas shows that sprinkle a bit of glitter, and then there is Christmas Actually, which turns the entire theatre into a full-blown festive detonation of music, comedy and nostalgia. Now in its eighth year, this seasonal juggernaut from The Little Red Company once again proves why it has become a staple of the Australian silly season. It is smart, stylish, musically electric and delivered with such unabashed joy that even the iciest Scrooge would melt into a puddle of mulled-wine-scented goodwill.

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