Calendar Girls by Tim Firth

John Frost. Lyric Theatre, Brisbane, then Theatre Royal, Sydney, and Comedy Theatre, Melbourne

Calendar Girls opened its eastern capitals tour in Brisbane after a blaze of titillating advertising. It lives up to its promise. This is a show full of heart and laughs. A real life event prompted a popular movie. Subsequently the principal screen writer, Tim Firth, adapted it for the stage. The action focuses on six of the original eleven Women's Institute members who posed for the calendar prototype.

The Walworth Farce by Enda Walsh

Druid Theatre, Ireland / STC. Sydney Theatre. April 14 – 24.

Druid Theatre Company Theatre can be fabulously deceptive! For a short time as I watched the Druid Theatre Company’s acclaimed The Walworth Farce, I wondered, “Am I watching accomplished actors, acting very badly?” Suddenly, briefly, a switch threw the action into reality, and it became clear that this was playful, absurd manipulation of classic farce form, adding a dark underlying Irish subtext.


Monkey Baa and Siren Theatre Co. Director Kate Gaul. From the book by Margaret Wild. Composer: Daryl Wallis

“Do you know what betrayal is? It’s when a friend does something that’s not very nice.” As I took my seat at the Seymour Centre, the mother sitting next to me said this to her two young sons. She was telling them about part of the story we were about to see, Fox by Monkey Baa theatre.

When He Was Famous (Life in the Fast Lane?) by Seth Robinson

Canberra Dramatics. Directer: Trevar Alan Chilver. Tuggeranong Arts Centre. April 8 - 17

When He Was Famous is a production running during National Youth Week. Canberra Dramatics is known for its support of young people interested in theatre, and this production has involved people principally aged between 15 and 25. It is a credit to their application, talent and diligence that this play has worked well. Patrick C. Moonie plays Robert J. Taylor, also known as Robbie, an actor of considerable reputation both in his acting and in his private life. He maintains the character’s charm despite the things that Robbie has done.

Blackbird by David Harrower

23rd Productions & La Boite Indie. Roundhouse Theatre (Qld). April 7 to 25.

If you like your theatre to be a cosy, entertaining evening, with coffee and a pleasant chat with friends after, this is not the play for you. On the other hand, if you like to be engaged and challenged, to have your moral preconceptions dissected and examined in the space of little more than an hour, then Blackbird is. You’ll leave the show aching to discuss personal and social morality aspects of child abuse, and a need to be reprogrammed convincingly on the issue.

The Hatpin by James Millar and Peter Rutherford

Amateur Premiere. Riverside Lyric Ensemble. Lennox Theatre, Riverside Theatres, Parramatta. Until April 17.

Riverside Lyric Ensemble’s production of Australian musical The Hatpin is in the higher echelon of Sydney amateur musical theatre, in terms of both production values and performances. It is a clean, polished, no-frills production, with a cast balancing some of the best ‘old hands’ on the circuit with exciting, less familiar talents.

Ruby Moon by Matt Cameron

Pantseat Productions. The Playhouse, Newcastle. March 4 to 6

The anguish of the young wife in Ruby Moon is evident from the time her husband arrives home from work and tries to give her an affectionate kiss. She resists, pulls away, and says “How do we do this again?” The pair’s six-year-old daughter, the title character, disappeared several years ago while going to the other end of their cul-de-sac suburban street to visit her grandmother and they are still trying to come to terms with the loss.

Animals Out of Paper by Rajiv Joseph

Ensemble Theatre (NSW). Until April 24.

A light, engaging three-hander play, Animals Out of Paper builds on a wafer of plot, with genuine humanity, wit, awkward romance and a touch of hip-hop.

The Ensemble production works nicely despite the play’s rather too obvious central metaphor, comparing the marks left on life and relationships to the folds of origami. Perhaps the metaphor misses because origami tends to be talked about rather than integrated into the action, except as completed works.

The Last Days of Judas Iscariot by Stephen Adly Guirgis

Hunter TAFE Performing Arts. The Playhouse, Newcastle. March 25 to 28

The Last Days of Judas Iscariot was the last production to feature all 15 members of Hunter TAFE’s initial advanced diploma in acting class and it was a rewarding finale for a group who have done fine work in their three years of training. The play uses a trial in Purgatory of Judas Iscariot, the disciple who betrayed his friend and leader Jesus Christ, to look at issues including concepts of good and evil, guilt and forgiveness, despair and redemption, and social pressures and free will.

The Penis Principles - Return Season Announced

Matt Byrne Media. Holden Street Theatres, Adelaide - April 9 to 11

The latest production from Producer / Director Matt Byrne, The Penis Principles, is a fast-paced and hilariously low-brow journey into the issues plaguing modern man. The three-man cabaret comedy stars the director himself and tackles both the silly and the serious, in a night of genital fact and farcicality.

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