Reviews

The Greek myth Psyche and Eros is the inspiration for this play; in particular the trials of Psyche in her quest to ascertain the secret mystery of eternal youth. The temptation to be distracted from a quest is particularly elicited through the abstract text in this production. The performance highlights the idiosyncratic nature of a journey characterised by wandering and easily wafts into unexpected psychological territories. Words are used like brittle sound, and they are accompanied by enticing visuals.

WAAPA's Third Year Students brought this less-often-performed Shakespearian tragedy to life with passion, creating a performance that was highly energised, fascinating and moving.

Set on an almost bare set, a beautiful veneer of marble is peeling away to reveal that not all is right in Rome. Chris Brain's set marked the tone for the play as the actors burst onto the stage.

Title character Caius Martius, later Coriolanus, is given great depth by Angus McLarun, who plays this role with determination in a thoughtfully portrayed downfall.

WAAPA's third year Music Theatre students performed The Drowsy Chaperone with relish, seemingly having a ball bringing this Tony Award musical to WA for the first time.

Outstanding performances abounded in this clearly directed, beautifully presented homage to old-style musicals.

Ashley Roussety bonded warmly with the audience in the central role of 'Man in Chair' who shares his love for the 1927 show "The Drowsy Chaperone" as his imagination transforms his apartment into the original staging.

They say domestic cats have nine lives. I don’t know about that, but I’m fairly certain most people have already had at least one Cats life. Not me though. The current touring production is my very first experience of Cats, despite the various incarnations of this Andrew Lloyd Webber phenomenon over 35 years.