Reviews

Liam Cooper – King of the Keys

The Palms, Crown, Melbourne, September 5, 2025 followed by dates in Sydney and NZ.

Australia’s own King of the Keys, Liam Cooper, made a triumphant Melbourne debut on September 5, 2025, at The Palms at Crown, Melbourne. Performing to a sold-out crowd of 870 enthusiastic fans, Cooper delivered a high-octane, heartfelt, and often hilarious musical celebration of history’s greatest male piano-playing performers.

Hibernation

By Finegan Kruckemeyer. WAAPA’s Second Year Acting. Directed by Teresa Jakovich. The Enright Studio, WAAPA, Edith Cowan University, Mt Lawley, WA. Sep 4-11, 2025

Performed by WAAPA’s Second Year Acting Students, with support from WAAPA’s Production and Design Students, Hibernation is set in 2040, in a rapidly dying world. A policy has been developed (based on research for Space Travel) to get all humans on earth to hibernate for a year, to allow the planet to rejuvenate and recover.

The Lark

By Daniel Keene. Presented by Arts Centre Melbourne and Hey Dowling. Directed by Matt Scholten. Fairfax Studio, Arts Centre Melbourne, 100 St Kilda Rd, Southbank. 3 - 28 September 2025.

Daniel Keene has penned an extraordinarily poignant story. He employs poetic and evocative language that also sounds naturalistic and authentic. Noni Hazlehurst portrays Rose Grey, a woman who seems to be occupying a spectral and somewhat liminal space, which was once a thriving pub, called The Lark. Here she reminisces on the time she and her father spent in this workplace which was also her home and an inviting venue for the local community to simply come together.

How To Plot a Hit in Two Days

By Melanie Tait. Ensemble Theatre, Sydney. Directed by Lee Lewis. 29 August – 11 October, 2025

When Australia’s sweetheart Molly Jones, played by Anne Tenney, died in June 1985 over 14 episodes of the fifth season of ‘A Country Practice’, the country held its breath. One sixth of the population, 2.2 million people, were watching her death, between ad breaks, on this twice-a-week serial. It was powerful stuff. 

Romeo & Juliet

By William Shakespeare. Bell Shakespeare. Directed by Peter Evans. The Playhouse, Canberra. 29 August to 7 September, 2025, and touring nationally until 7 December.

The Bard’s famous romantic tragedy is exactly 400 years old today, give or take a year, and has been staged countless times in many languages — a ubiquity that may partly emerge from the play’s capture of the quintessence of many of our most powerful human feelings.

Tarzan – The Stage Musical

Music and lyrics by Phil Collins. Book by David Henry Hwang. Produced by James Terry Collective. Directed by Alister Smith. National Theatre, St Kilda. Opening night: August 30th, 2025

Let’s admit it, Tarzan is part of our psyche. I remember being openmouthed at Johhny Weissmuller swinging through the jungle on a vine when I took my little brother to the Saturday Morning Pictures (an institution in Britain in the early 1950s). But I never saw the Disney feature and I certainly never envisioned Tarzan as a Musical, yet here I am, raving about a spectacular opening night last Saturday.

Dark Impro

Protea Impro (various artists). The Peacock Theatre, Hobart. August 29th to September 6th, 2025

Whilst this is the inaugural Dark Impro festival, Protea has existed as a loose collective since 2020, driven principally by artistic directors Rowan Harris and Matt Wilson. Protea now runs regular Theatresports, classes and workshops as well producing long form works, working collaboratively with interstate and overseas artists.

The Real Inspector Hound

By Tom Stoppard. Cairns Rondo Theatre. Directed by CJ Bowers. August 29 - September 6, 2025

One thing about reviewing a play about two reviewers reviewing a play is that it can be a mirror on oneself. In this case, Stoppard’s short play captures the farce of reviewing a play about a country house whodunit.

The action starts with two reviewers waffling on in play critic speak about a murder mystery play. The play itself is brilliantly performed, especially when it comes to the melodramatic direction. Complimenting this excellent production is the lighting from Amara Innes, which gives the play an aura of total believability when none should be present.

A Chorus Line

Music: Marvin Hamlisch. Lyrics: Edward Kleban. Book: James Kirkwood Jr. and Nicholas Dante Presented by Curtain Bounce. Laycock Street Community Theatre, August 29 - September 6, 2025

In 2025 A Chorus Line celebrates its 50th birthday, but this far down the line the show hasn’t aged a bit. It's still the groundbreaking crown jewel of musical theatre. With a score by Marvin Hamlisch, lyrics by Edward Kleban, and a book by James Kirkwood Jr. and Nicholas Dante, it has as many ‘theatre standards’ in the score as Phantom of the Opera and Les Misérables. It also has a handful of dance routines and combinations that, at some point, get burned into every theatre performer’s being.

The Magic Flute

By Wolfgang Amadeus Mozart. State Opera South Australia. Her Majesty’s Theatre, Grote St, Adelaide. Aug 28 – Sept 6, 2025

I am sure that a train station is one of the last places in that Mozart would choose to set his seminal opera The Magic Flute, but it works in every way!

State Opera South Australia have teamed up with Opera Hong Kong and Beijing Music Festival to breathe new life and humour into one of the all-time classic operas.

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