Reviews

The Birds

By Daphne du Maurier. Adapted by Louise Fox. Directed by Matthew Lutton. Presented by Malthouse Theatre. Beckett Theatre. Malthouse, 113 Sturt Street, Southbank, Melbourne. 16 May – 7 June 2025.

Louise Fox has fashioned a brilliant adaptation of du Maurier’s chilling story of an uprising of birds. Adapted into a thriller by Alfred Hitchcock (1963) the mysterious and ominous behaviour of the birds focuses predominantly on crows and is set in a coastal town in the US. The film captures the looming threat of the birds well but glosses over the paranoia and sheer terror that is conveyed in the short story.

Working: A Musical

Adapted by Stephen Schwartz, from the book by Studs Terkel and Nina Faso. Australian Musical Theatre Festival. Director: Tyran Parke. Musical Director: Peter Rutherford. Choreographer: Ross Hannaford. Opening Night, May 21, 2025.

It's a brave choice to pull together a fully-realised musical, exclusively for a mere two-night stint at any festival – let alone one staged in Launceston, but with Tyran Parke's contacts, resources and passion, this kind of outrageousness has become de rigueur for the Australian Musical Theatre Festival, now in its 6th year.

Double Bill: Run Rabbit & Melon

By Victoria Abbott (Run Rabbit) & Ella Randle (Melon). Sunburnt Productions Co at Flight Path Theatre, Marrickville, Sydney. Directed by Kate McGill (Run Rabbit) & Ella Randle, Samuel Ireland (Melon. 21 – 31 May 2025

Il Ritorno d'Ulisse in Patria

Composed by Claudio Monteverdi. Libretto by Giacomo Badoaro. This version arranged/composed by Elena Kats-Chernin. Presented by Queensland Conservatorium Griffith University. Griffith University Conservatorium, Brisbane. 20-24 May, 2025

University student performances of any of the arts' repertoire is often a worthwhile visit, providing the opportunity to view our future talent and even possible stars of the future. With a variety of vocal talent on display in this modern interpretation of an historic opera, indeed one of the first of its kind having been composed in 1640, the pedagogic talent of the university's staff were in full flood tackling a score out of the boundaries of the forthcoming Classical period and the famous composers who eventually brought opera to the forefront.

A Wake To Remember

By Samantha Wong. Director: Alyssa Wong. Lighting designer: Lindon Blakley. Sound designer: John Sharp. Music arranger: Julian Smith-Gard. MC Showroom. Level 1/50 Clifton St., Prahran. 21st - 25th May 2025

A Wake to Remember uses a reunion at a wake of two remaining members of band to tell a nuanced coming of age story. At university three somewhat talented musicians form a band. Their commitment to and hopes for the band are very different, as are the various attractions which spring up between band members. At the wake, it becomes clear that it didn’t end well and quite some time has passed.

Kafka’s Monkey

By Colin Teevan. Golding Creative. Directed by Jacob Golding. The Peacock Theatre, Hobart. 21–25 May 2025

‘Esteemed members of the academy,’ opens the solo performer in Colin Teevan’s Kafka’s Monkey (adapted from Franz Kafka’s short story A Report to an Academy), ‘You’ve done me the great honour of inviting me to give an account of my former life … as an ape.’ So begins the peculiar story of ‘Red Peter’, an ape captured violently in Africa and brought by sea to England, where he sees ‘no way out’ but to abandon his true nature and adopt the habits of humans – a species he abhors – in ord

Alice by Heart

By Steven Sater, Jessie Nelson and Duncan Sheik. Wanneroo Repertory. Directed by Naomi M. Capon. The Limelight Theatre, Civic Dve, Wanneroo, WA. May 8 -24, 2025

This beautifully crafted production sets Alice in Wonderland against the horrors of the London Blitz. Produced with passion by Wanneroo Repertory, this is a production with excellent production values, strong direction and heartfelt performances.

Little Women – The Broadway Musical

By Allan Knee (book), Jason Howland (Music) and Mindi Dickstein (Lyrics). Based on the novel by Louisa May Alcott. Dural Musical Society. Director: Isabelle Venice. Musical Director: Rodrigo Noel. May 16 – 25, 2025

Louisa May Alcott was both a woman of her time and a woman before her time! A writer, teacher, nurse, abolitionist, feminist, believer in women’s suffrage, as well as a caring, supportive daughter, sister and aunt. Reading a summary of her life is like combining the female characters from Dickens and the Brontes and transporting them across the sea to a little town in nineteenth century America.

Chalkface

By Angela Betzien. Melville Theatre Company. Directed by Vanessa Jensen. Melville Civic Centre, Booragoon, WA. May 2-17, 2025

This community theatre premiere was among the top plays of the year so far. Expertly staged, and with a strong cast, this comedy, set in a primary school staffroom, rang true for many teachers. While very funny and highly satirical, Chalkface also highlighted the many difficulties faced by teachers at this time.

Storked

By Myf Hocking. Antipodes Theatre Company. Theatre Works, St Kilda. 15 – 24 May 2025

Storked is, as the program blurb says, ‘a series of vignettes’ – here, that is, short scenes and sketches about aspects of female physiological and psychological experience – with the exception of the horrible pain of endometriosis – they are unignorable and inevitable.  Not for nothing was menstruation alone called ‘the curse’ but here - as it seems to me - playwright Myf Hocking extends the concept of ‘curse’ by declaring in their program notes that Storked is about ‘monogamy, pregnancy, parenting, and the

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