Love Song

By John Kolvenbach. Director: Jordan Best. Centrepiece Theatre. The Q – Queanbeyan Performing Arts Centre. October 5 – 15, 2011.

The Magic Flute

By Wolfgang Amadeus Mozart. Operatu (SA). SA State Opera Studio. Adapted and di-rected by Cheryl Pickering. Designer: Bec Francis. Creative Producer: Pat Rix. 22 September - 2 October, 2011

Mozart’s The Magic Flute has always been a hit with children. This production increases that appeal through the involvement of cirkidz and Tutti.

In the original story, Tamino (Robert Macfarlane) gets inducted into Zarasta’s Temple to rescue Pamina (Naomi Hede), whom he has fallen in love with.

Unit 4

Dislocate in association with the Seymour Centre. The Reginald, Seymour Centre, Sydney. Sep 28 – Oct 15.

Do the lives of past tenants in all their full-bodied experiences of love, loss, pain and pleasure manage to permeate a space and exist with in the walls where they once took place? That is the concept that Melbourne based company Dislocate’s production of Unit 4 attempts to address.

Tim Ferguson: Carry a Big Stick

New Ballroom, Trades Hall, Melbourne. 23 and 30 Sept, 2011

Tim Ferguson was standing in the bar at the Trades Hall with a few minutes to go before the start of his late-night cabaret, Carry a Big Stick. Casually dressed, and with a walking stick, he exuded every bit of the charm and magnetism that made him a star with the Doug Anthony Allstars in the 1990s. Tim is a naturally talented comedian, with a sparkle in his eye, and it’s no surprise he can draw a solid crowd on a miserable stormy night in Melbourne.


By Alana Valentine. Director: Caroline Stacey. The Street Theatre, Childers Street, ACT. 1-15 October, 2011

Without doubt, this play is the most gripping and intense piece of theatre I’ve ever seen in Canberra, and the calibre of the acting is, put simply, flawless. The audience gets to experience vicariously the gut-wrenching life of a politician trying to balance deeply-held moral convictions in a viper-pit of an environment—something usually beyond the public consciousness.

Spring Awakening

Book and lyrics by Steven Sater, music by Duncan Sheik, original play by Franz Wedekind. Monash University Student Theatre with Monash University Academy of Performing Arts. Director: Yvonne Virsik. Musical Director: Tom Pitts. Choreographers: Kirsten Adriaan & Yvonne Virsik. Alexander Theatre. September 30 - October 8, 2011

Unfamiliar with the musical Spring Awakening, I had a quick read of the program which indicated I could expect plenty of sex, suicide, masturbation, rape, homosexuality and abortion. As my wife was unable to attend I was so pleased I’d invited one of the older ladies from church!

We were blown away!

It wasn’t just the raw power of this work, it was the professional execution by a very young, talented and well drilled cast.

Anything Goes

By Cole Porter. Auckland Music Theatre and Amici Productions. Director: Grant Meese. Musical Director: Penny Dodd. Choreographer: Leigh Evans. Civic Theatre., Auckland. September 29 – October 22, 2011

When you book a ticket to Cole Porter’s classic Anything Goes you can be assured of a sparkling night of theatre and Auckland Music Theatre and Amici Productions version delivers in abundance.

From the opening refrain of an old recording of Anything Goes to the final curtain this is a high energy romp through some classic Porter tunes.

Jackie Clarke belts her way through the show with true conviction and delightfully makes the role of Reno Sweeney her own.

Summer of the Seventeenth Doll

By Ray Lawler. Belvoir. Belvoir Street Theatre (Sydney). September 24 – November 13, 2011.

“The Doll” is a fine example of the ‘well made’ plays of the first half of last century: three acts; a realistic plot line that evolves through convincing and recognisable characters; a breath taking climax; an anticlimax. It worked for Australian and overseas audiences in the 1950s – and it still works today.

Don Giovanni

By Mozart. Opera Australia. Sydney Opera House. Sep 24 – Nov 5, 2011.

This revival of the late Goran Jarvefelt’s production of Mozart’s Don Giovanni for Opera Australia is a solid effort, one that entertains and delights.

Teddy Tahu Rhodes, as the notorious womaniser Don Giovanni, is a force to be reckoned with. His baritone voice is like liquid chocolate and his tight leather hotpants leave little to the imagination. I mean how many opera singers look sexy in nothing but leather shorts and boots?


Country Matters

Written by Danielle Maas. Created by Cupboard Love. Featuring: Danielle Maas, Jessica Wallace and Amelia Ulrick.The New Theatre. Sydney Fringe Festival. September 28 – October 1, 2011.

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