The Accused by Jeffery Archer

Hobart Repertory Theatre Society. The Playhouse Theatre, Hobart. Director: Peter McIntosh.

The Accused is a courtroom drama with a few differences, including an intention to dispel our notions of the “real legal world” as seen on television. An interesting feature: the audience IS the jury. With the imperative: “You are the Jury. Guilty or Not Guilty?

Billy Twinkle: Requiem for A Golden Boy

Playhouse, Sydney Opera House until Octobe

The world's master of marionettes, Canada's Ronnie Burkett, is back in Sydney with his new show, Billy Twinkle: Requiem for A Golden Boy. It has been an incredible journey for Burkett who has been captivated by the world of puppetry from age seven, when he looked up puppetry in his world book encyclopedia. Burkett formed his adult orientated puppetry company, Ronnie Burkett's Theatre Of Marionettes, in 1986.


Music & Lyrics: Jon English & David Mackay. Savoyards. Iona Performing Arts Centre, Brisbane. Opened September 26, 2009. Director: Liz Quinn. Musical Director: Steven McKay. Choreographer: Kaitlin Bell.

The best thing about Savoyards Brisbane community theatre premiere of the rock opera Paris, were the performances of Justin Tamblyn and Kellie Ireland as Paris and Helen. Their duets, “Perfect Stranger” and “For Better or Worse,” were highlights of the production. Justin Tamblyn has the looks to go far, and has the perfect pop musical theatre voice - thrilling in its upper register. Likewise the very pretty Kellie Ireland with her sure and true soprano. Together they were the perfect leads.

Dirty Rotten Scoundrels

The Production Company. State Theatre (Vic). Director: Roger Hodgman. Musical Director: John Foreman. Choreographer: Dana Jolly

Melbourne’s eagerly awaited Australian premiere of Dirty Rotten Scoundrels did not disappoint. Based on the film of the same name, the storyline was strong, which gave it an edge over lighter works performed by The Production Company.

The Kursk by Sasha Janowicz

Matrix Theatre / Critical Stages. Director: Michael Futcher

Two Stage Whispers reviewers have recently seen The Kursk during its extensive tour.

Jay McKee saw The Kursk during its La Boite season at Roundhouse Theatre, Brisbane.


Now Touring Australia


Geraldine Turner has taken over the role of Madam Morrible and will play the rest of the Brisbane season which ends April 2. She stepped into the role when Maggie Kirkpatrick, who played the part in Melbourne and Sydney, took a well-earned break. The role is a walk in the park for musical theatre veteran Turner. With no solo songs, she makes what she does have to sing, matter, and with her superb comic-timing she’s a formidable presence in the show.

Gethsemane by David Hare

Belvoir Street Theatre. Company B. Director: Neil Armfield

Neil Armfield’s production of David Hare's latest play Gethsemane represents outgoing Belvoir Street Artistic Director Armfield's fourth production of a Hare play in what has been a long and successful collaboration.

A Funny Thing Happened on the Way to the Forum by Stephen Sondheim, Burt Shevelove and Larry Gelbart

BATS (Vic). Director: Annette Zolnierczyk. Musical Director: Tina Healy.

I have attended a number of productions by Broadford Amateur Theatre Society (BATS) and been constantly surprised at the array of talent. I enjoyed Funny Thing but felt this production was missing some of their stronger performers.

Miss Saigon by Alain Boubill and Claude-Michel Schonberg

Cairns Choral Society. Directed by Jimmy and Lori Barton

Miss Saigon, directed by Jimmy and Lori Barton, is easily the best musical ever produced by the Cairns Choral Society. It tells the story of Kim, a Vietnamese girl who falls in love with Chris, an American GI, in the closing stages of the Vietnam War. Unknown to Chris Kim gives birth to his son, Tam. However, some years later, Chris goes back to Vietnam to find Kim and Tam.

A Streetcar Named Desire by Tennesse Williams.

Sydney Theatre Company. Director by Liv Ullmann.

Cate Blanchett needed two stitches to the back of her head after a wayward radio struck her during a preview. It came while her character Blanche Dubois was playing music next to a poker game hosted by her sister’s husband Stanley Kowalski. The Sydney Theatre Company wanted a production that was fresh and vital, but perhaps drawing blood was taking it a bit far.

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