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Sound and Light
Sound Board Evolution
Artie Jones from Factory Sound reports. When there is dialogue to be amplified, the audio mixer is arguably the most importa ...
Juggling a Lighting Rig
John McKissock from Clearlight Shows speaks to David Spicer about lighting performers on a tightrope and companies with tig ...
Sound Engineer’s Big Cats
Drew Bisset, Senior Systems Engineer from Loud And Clear Audio, explains the audio challenges of staging a very large s ...
Saturday Light Fever
Jason Bovaird from Moving Light Productions was asked to provide the lighting design for StageArt’s production of Saturd ...
Sound Design Behind Bars
Greg Ginger from Outlook Communications volunteered for some hard labour in the main cell-block of the old Castlemaine Ga ...
Sound Advice For Modern Community Theatre
Mixing sound is never as simple as just turning up someone’s microphone. Cameron Hissey from Loud a ...
Projection for Small Budget Theatres
Projection is becoming an almost mandatory component of any theatrical production. As set and lighting designe ...
Lighting Up The Stage
Performing Arts Courses showcase some recent productions. Actors Centre Australia Sydney. Production: Cartography A ...
Time to Tango with New Intercom
Tango is Riedel’s first fully network-based expandable communications platform supporting both the RAVENNA/AE ...
Sound Course for Employment
Actors might struggle to get a job after they graduate, but for those who make sure that every member of the audience h ...
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