Sound and Light

Sound Board Evolution

Artie Jones from Factory Sound reports. When there is dialogue to be amplified, the audio mixer is arguably the most importa ...

Juggling a Lighting Rig

John McKissock from Clearlight Shows speaks to David Spicer about lighting performers on a tightrope and companies with tig ...

Sound Engineer’s Big Cats

Drew Bisset, Senior Systems Engineer from Loud And Clear Audio, explains the audio challenges of staging a very large s ...

Saturday Light Fever

Jason Bovaird from Moving Light Productions was asked to provide the lighting design for StageArt’s production of Saturd ...

Sound Design Behind Bars

Greg Ginger from Outlook Communications volunteered for some hard labour in the main cell-block of the old Castlemaine Ga ...

Sound Advice For Modern Community Theatre

Mixing sound is never as simple as just turning up someone’s microphone. Cameron Hissey from Loud a ...

Projection for Small Budget Theatres

Projection is becoming an almost mandatory component of any theatrical production. As set and lighting designe ...

Lighting Up The Stage

Performing Arts Courses showcase some recent productions. Actors Centre Australia Sydney. Production:  Cartography A ...

Time to Tango with New Intercom

Tango is Riedel’s first fully network-based expandable communications platform supporting both the RAVENNA/AE ...

Sound Course for Employment

Actors might struggle to get a job after they graduate, but for those who make sure that every member of the audience h ...