Reviews

Love Stories

By Trent Dalton, adapted for the stage by Tim McGarry. Director Sam Strong. Brisbane Festival and QPAC Productions. Riverside Theatre. 11-20 Sept, 2025

“I got your gift. Might be the most beautiful gift I ever got.” 

The gift was a sky-blue Olivetti Studio 44 typewriter from Kath, the mother of Trent Dalton’s mate Greg. He told Greg he’d write something special on that typewriter. “Something filled with love and depth and truth and frankness”. He did! He wrote down the words of “random strangers” who “kindly, gently, wildly, courageously, beautifully” told him their love stories.

Camerata: Your Eternal Memories

Camerata, featuring Kate Miller-Heidke and Barbara Lowing. Concert Hall, Queensland Performing Arts Centre (QPAC). Brisbane Festival. 13 September 2025

This evening of music, memories and nostalgia from Camerata – Queensland’s Chamber Orchestra felt like an early festive present, chock full as it was of sixpence surprises, glacé cherries and Christmas cracker gags. In fact, the format (curated by lead Violinist, Brendan Joyce) is ripe to be revived year after year to celebrate any festival – from Lunar New Year to Diwali – or as an end-of-year treat.

Advent Brass: 100 Year Celebration Charity Concert

Featuring James Morrison, conducted by Reynold W.B. Gilson OAM, and compered by Wayne Boehm. Hamer Hall, 100 St Kilda Road, Melbourne. Sunday 14 September 2025.

Advent Brass Band was founded in 1925 and this special event celebrated 100 years of activity. This is an organisation that reaches out to young people through Christian beliefs and practice and employs brass band music in this enterprise. The success of the band was consolidated in this illustrious gala event and provided an opportunity to showcase the many excellent musicians who operate in its orbit. Celebrating a 100-year history is indeed a very admirable milestone and the performance celebrated this by bringing its community together and providing some sterling entertainment.

Orlando

Based on the novel by Virginia Woolf, adapted By Carissa Licciardello & Elsie Yager. Upstairs Theatre, Belvoir St Theatre. September 6 to 28, 2025.

Belvoir has had an impressive year, notably in transforming novels into theatre. 

Here You Come Again

Created by Bruce Vilanch in collaboration with Gabriel Barre and Tricia Paoluccio. Produced by Tinderbox Productions and Andrew Kay. Theatre Royal Sydney. September 12 - October 18, 2025.

This is a sweet musical and a good night out. The narrative might be thin, but as the lady herself has said - if you want a rainbow, you’ve got to put up with a bit of rain.

First let me help get your bearings about where this production is placed on the Dolly musical universe.

9 to 5 the musical, adapted from the movie, had its Australian professional premiere in 2022.  Currently on the way to Broadway, is the large cast all singing and dancing, fully autobiographical Dolly: A True Original Musical.

Othello

By William Shakespeare. Presented by Melbourne Shakespeare Company. Directed by Tanya Gerstle. fortyfivedownstairs, 45 Flinders Lane Melbourne. 11-28 September 2025.

Othello is indeed an intense play full of deceit which is driven by envy, evil and sheer irrationality. This production demonstrates a laser focus on these aspects and delivers a chilling version of this play. The dark atmosphere is written across every element of the production from the publicity to the stage and set design (Callum Dale). The potential in this very flexible and highly adaptable venue is explored with real innovation to create a very mysterious and menacing space. The lean and sleek set allows the characters to leap on stage and completely dominate the space.

Purgatory

By Darren Heskes. Maleny Players. The Maleny Playhouse. July 25 – Aug 3, 2025.

Before I embark on the actual review, I first need to thank the Maleny Players for producing this premiere. It’s great to see a community theatre not only taking a risk with a new play but taking a risk with a new play by a local writer. Without support at a grass roots level like this by community theatres, then so many works would never see the light of day. Their “risk” was justified with practically a sold-out season and usually an ecstatic reaction.

Tick, Tick… Boom!

By Jonathan Larson. Good Time Theatrics. PIP Theatre, Brisbane. 11–20 September 2025

Tick, Tick… Boom! is like a blueprint for a musical about life and love, sketched on the back of a napkin, caffeine-fuelled by cinnamon coffee at the Moondance Diner in New York’s SoHo. It is fast-paced and collage-like, pulling in bits of what works and what might, experimenting with musical styles to find a fit. Of course its writer, Jonathan Larson, would famously find that perfect fit a few years later with his ground-breaking stage musical RENT. This makes 1990’s Tick, Tick… Boom!

The Platypus

By Francis Greenslade. Presented by Brisbane Festival and QPAC. Cremorne Theatre. 10-13 September, 2025

You may have seen writer and director of this wacky opus, Francis Greenslade, on the telly – in particular Shaun Micallef’s Mad as Hell. I say wacky because the show, being more of a gloriously unhinged black comedy, provides a somewhat indecisive presentation where one isn’t sure whether to laugh, cry or remain immune, all with bemusement; but for a number of reasons.

Symphony Series 6 - Shadows

Adelaide Symphony Orchestra. Adelaide Town Hall, King William St, Adelaide. Sept 12-13, 2025

Recordings are wonderful, and an excellent way to expand your musical listening repertoire, but there is nothing to compare with being enveloped in sound that you can see, hear and feel!

The Adelaide Symphony Orchestra have clearly put a lot of thought into their latest concert, Symphony Series 6 - Shadows. From the soothing sounds of Peggy Glanville-Hicks, to the virtuosity of Britten’s Violin Concerto and the ferocity of the mighty Shostakovich 10, it is a memorable evening!

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